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redFrik01 alias for livecoding improvisations and audiovisual feedback systems. i don't believe in 'fixed products' so no cds, tracks or finished pieces available. read more about live coding and our manifesto at _toplap.org. see also _interactive programming examples:
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redShiftan audiovisual piece from 2012 using my _custom controller. performed in london, malmö and berlin.
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redUniforman audiovisual performance piece where i take on the role of a sad clown with a great fascination for red spheres and noisy sounds. all electronics, wireless sensor network, generative music and graphics were developed during my six months as artist-in-residence at _iamas, japan 2008
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redOan audiovisual chamber ensemble piece commissioned by _the peärls before swïne experience. premiered at gothenburg international film festival 2013. also performed twice in canberra april 2013. |
the chaotic singera battle between a human performer and a malicious software program. no matter how well the performer 'sings', the software always win. the work is based on an earlier piece called 'the choir, the chaos' and was first performed in corfu in may 2010. also performed in barcelona. |
the choir, the chaosa networked piece commissioned and performed by _european bridges ensemble. premiered 2009 at klangwerktage (hamburg) and also performed at the making new waves festival (budapest) and sonorities festival (belfast) |
machine listeningan audiovisual performance for iscm, world new music days, växjö, sweden 2009 |
knyppelan audiovisual noise duo with ann rosén. see _knyppel.se |
aktiv bullerbekämpning (ABB)noise duo together with mathias josefson (_mathiasjosefson.com). trying our best to cancel out all noise from the world.
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web jammingwanna form a virtual band?my idea has been to build a simple and easy to use framework for webjamming using the opensound control (osc) protocol and supercollider by james mccartney. the framework now exists and it let members of our virtual band contribute with their own favorite instruments, i.e. sounding patches written in supercollider, to be played by them self or by others live via internet.
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algorithmic dance musicmorpheus cd-romthe first cd of algorithmic dance music, published by mushimushi ltd (2001), has some of my music on it. _mushimushi.net/morpheus/
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computer-musicvevlirathis is my first piece for tape (1997). it's built by manipulating sounds coming from a hurdy-gurdy (trad. folk instrument).
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music w/ dancei like to move ita piece for 3 dancers, 6 speakers and 3 microphones.
boxa piece for five dancers, three musicians, video projection and a bunch of soundfiles triggered by the dancers.
man förstår livet baklänges men lever det framlängeschoreography: jakob valentin
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big-bandb.c. I-IIIthis suite from 1997 has never been played due to the high demands on the musicians. warning! synth version (i.e. no solos, artificial touch and machinery swing)
grönt monster (the green monster)a 10 minute piece inspired by old low budget horror movies. it's built around a trumpet feature and written in 1996 for tim hagans and norrbotten big band.
högskolejazz (academic jazz)this piece is kind of ironic -- enough said. performed by kmh jazz orchestra in feb. 1999, conducted by maria schneider.
klubbjazzmy very last 'jazz' composition became more of an acid jazz thing with heavy use of 'the amen breakbeat' drumloop. it was performed at the jazz festival in sandviken 1999 and featured lasse lindgren on electrified trumpet. warning! midi synth version (i.e. no solos, artificial touch and machinery swing)
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